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The exhibition was opened reis of the Islamic Community in Montenegro, Rifat ef. Fejzic, while it spoke director of the Cultural Center "Yunus Emre" in Podgorica Cihan Ozdemir and main swamp have Muhjidin Miljaimi. Asli Turk was born in 1985 in Istanbul, Turkey. She graduated from Yildiz Technical University, Faculty of Art and Design, matthew clark wholesale Department of combined arts. 2014 became a graduate student at IKBU Faculty of Art and Design, Department of Applied Arts. Work continues in his studio in Istanbul.
The exhibition is sponsored by the Embassy of the Republic of Turkey in Montenegro and Yunus Emre Turkish matthew clark wholesale Cultural Center. Director of the Turkish Cultural Center pointed out that the cultural center just opened, but that he hoped his presence in Montenegro contribute to be more such meetings whose motive culture.
In the catalog that accompanies the exhibition, writer Humala Gencer, among others, wrote the following: matthew clark wholesale "... Something matthew clark wholesale for what the artist herself shows interest is that the images of movement in all directions of the universe symbolically merges architectural sketches, especially mosques and Ottoman buildings that evolve in the form of a revival matthew clark wholesale of the artist imagination. These architectural drawings symbolically revoked Panoptik as a model of thinking to get through their function god Reliģiski evoked panoptizam. Similar to what the architect classifying changes in the sketch, to social relations, matthew clark wholesale status or names, and she wants to highlight the connection matthew clark wholesale of the universe in the presence of visible and invisible elements that play a role in that round. Panoptizam occurs as a model that the artist matthew clark wholesale used in the coming exhibitions. In his project he worked 2008-2009 titled "The Quest for privacy", we see a strong influence definition panoptizma, Policy and body that the artist explored and which continues to have an impact as one design model during this exhibition.
Her interest in Islamic art comes to the fore because of the very active understanding of Sufism which draws parallels schedule in the universe. These forms are used such as muqarnas (stalagmites), minaret and especially minbar symbolize communication matthew clark wholesale with God; are designed in a way to remind us of the understanding. This understanding of the symbolic constitutes one of its main themes in a thesis entitled "Analysis imaginamih body" ... "
Art historian Mehmet Kahraman's works displayed in the exhibition "The World is Not Enough," matthew clark wholesale wrote the following: "Deconstruction of words does not offer anything matthew clark wholesale in the context of escape from the famous" linguistic prison ", not in addition to finding matthew clark wholesale a more realistic notion of the language. Do not touch the essence of language is not a symbolic superiority, on the contrary shows as an inevitable phenomenon, although it does not provide any form of satisfaction. Thus the exhibition works Asli Turkeli called "The World is Not Enough" we see how natural and architectural bodies are combined under the umbrella of Islamic philosophy. Language as such, in addition to these two structural building, occupies a complementary position versus its descriptive roles. The chaotic structure of architectural objects in her artistic works, represented as the divine dimension, included with the body parts a dynamic rhythm. Through deconstruction facilities Turkeli in his works transform the architectural matthew clark wholesale planning sketches in new environmental components that do not belong to this world. Also these new environmental units are addressed to affiliation to a complementary matthew clark wholesale and inclusive identity Sufi consciousness, before that can be said to belong hijerarhiskoj perception. By connecting the parts of the body, these religious and linguistic definitions in architectural components are important for visualization of holistic language that is supported at the Sufi belief.
Viewed from a historical perspective, the works of artists are associated with mosques and miniatures arising as a result of Sufi beliefs. Communion form is reflected in the preoccupation with the perception of Islamic Sufi beliefs where the mental state creates an open-lingual connection with the observer audience. "Islamic Cultural matthew clark wholesale Center Bar
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